DG1: Bibliografia Geral
Bibliografia Geral
A extensa Bibliografia geral aqui apresentada, é constituída por uma grande diversidade de entradas e contém de uma forma mais ou menos rigorosa, alguns dos títulos que ao longo dos últimos anos, num ou noutro contexto, foram recomendados, consultados, contestados ou até ignorados no âmbito da cadeira de DG1.
No decurso do ano curricular, é habitualmente recomendada uma curta selecção de livros ou textos de acordo com a especificidade de cada projecto e/ou grupo de trabalho. Esses textos, poderão resultar de uma selecção feita a partir da bibliografia geral de referência ou outros que em diferentes contextos se tornem relevantes. A introdução, este ano curricular, de três grandes temas que coordenam horizontalmente todas as cadeiras do quarto ano do curso de Design Gráfico, virá certamente trazer novos títulos a esta bibliografia em transformação.
Altman, Rick [ed]. Sound Theory/Sound Practice, New York: Routledge, 1992
—————. “Introduction: Four and a Half Film Fallacies”, in AAVV, Sound Theory/Sound Practice, editado por Rick Altman, New York: Routledge, 1992
—————. “Introduction: Sound’s Dark Corners”, in AAVV, Sound Theory/Sound Practice, editado por Rick Altman, New York: Routledge, 1992
Barley, Nick, Marcus Field, Rick Poyner. Lost & Found : Critical Voices In New British Design, Basileia, Birkhauser, 1999
Bass, Saul, Ivan Chermayeff, Milton Glaser, Paul Rand, Ikko Tanaka, Philip B. Meggs. 6 Chapters in Design, São Francisco, Chronicle, 1997
Baudrillard, Jean. For A Critique Of The Political Economy Of The Sign, Nova Iorque, Telos Press, 1981
Berger, John. Ways Of Seeing, Londres, Penguin, 1990
Bierut, Michael, William Drenttel, Steven Heller, Bill Drenttel, D. K. Holland (Editor). Looking Closer : Critical Writings On Graphic Design, Nova Iorque, Allworth Press, 1994
Bierut, Michael, William Drenttel, Steven Heller, D. K. Holland (Editors). Looking Closer 2 : Critical Writings On Graphic Design, Nova Iorque, Allworth Press, 1997
Bierut, Michael, Jessica Helfand, Steven Heller, Rick Poynor (Editors). Looking Closer 3 : Classic Writings On Graphic Design, Nova Iorque, Allworth Press, 1999
Birkerts, Sven. The Gutenberg Elegies: The Fate of Reading in an Electronic Age, Londres, Faber and Faber, 1994
Blackwell, Lewis. 20th Century Type, Londres, Laurence King, 1992
—————. 20th Type: Remix, Londres, Laurence King, 1998
Blackwell, Lewis, P Scott Makela, Laurie Haycock Makela. Whereishere, Londres, Laurence King Publishing, 1998
Bolter, Jay David, Richard Grusin. Remediation, Understanding New Media, Cambridge, Massachusetts: The MIT Press, 1999
de Bono, Edward. Lateral Thinking, Londres, Harper Collins, 1990
Booth-Clibborn, Edward, Liz Farrelly. Fax You : Urgent Images, Londres, Booth-Clibborn, 1997
Brody, Neville, Lewis Blackwell. G1 – Subj: Contemporary Graphic Design, Londres, Laurence King, 1996
Broos, Kees, Paul Hefting. Dutch Graphic Design : A Century, Cambridge, MIT Press, 1998
Bush, Vannevar. As We May Think, The Atlantic Monthly, Volume 176, nº 1, páginas 101-108, Julho 1945, http://www.theatlantic.com/unbound/flashbks/computer/bushf.htm
Carter, Rob, Ben Day, Philip Meggs. Typographic Design : Form And Communication, Nova Iorque, Van Nostrand Reinhold,1993
Carvalhais, Miguel. Aula : MC.APCC, Porto, FBAUP, 2002
—————. "Code Acts": Abstraction Now Catalogue, Viena, Die Projekt Abstaction Now, 2004, http://carvalhais.org/txt/codeacts.php
Chion, Michel. Audio-vision, Paris : Éditions Nathan, 1990 (trad. e edi. ingl. de Claudia Gorbman, Audio-vision: sound on screen, New York: Columbia University Press, 1994).
—————. La Voix au Cinéma, Paris: Editions de l'Etoile/Cahiers du Cinéma, 1982 (trad. ing. de Caudia Gorbman, The Voice in Cinema, Nova Iorque: Columbia University Press, 1999)
—————. Le Son, Paris: Éditions Nathan, 1998 (trad. esp. de Enrique Folch Gonzáles, El sonido, Barcelona: Ediciones Paidós Ibérica, 1999)
—————. "The Three Listening Modes", 2000, http://helios.hampshire.edu/~hacu123/papers/Chion_Three_Listening.doc
Chronicle Books, Everything Reverberates, Thoughts On Design, São Francisco, Chronicle Books, 1998
Cooley, Millicent. "Sound+Image in Computer based Design: Learning from Sound in the Arts", Carnegie Mellon University, Pittsburg, Pennsylvania, USA and IMB Corporation, Austin, Texas, USA, 1998, http://ewic.bcs.org/conferences/1998/auditory/papers/paper8.htm
Cruz, João. Inter-Média: Dissertação — Provas de Mestrado em Arte Multimédia, Porto, FBAUP, 2002
Culler, Jonathan. On Deconstruction: Theory And Criticism After Stucturalism, Nova Iorque, Cornell University Press, 1982
Drucker, Johanna. The Visible Word : Experimental Typography And Modern Art, 1909-1923, Chicago, University of Chicago Press, 1996.
Faber, Liz, Patrick Burgoyne. Browser – The Internet Design Project, Londres, Laurence King, 1997
Faber, Liz, State Design. Re:play – The Ultimate Games Graphics, Londres, Laurence King, 1998
Forty, Adrian. Objects Of Desire, Londres, Thames and Hudson, 1992
Foucault, Michel. Discipline And Punish: The Birth Of The Prision, Nova Iorque, Random House, 1979
Frutiger, Adrian, Andrew Bluhm (Translator). Signs And Symbols : Their Design And Meaning, Nova Iorque, Watson-Guptill, 1998
Fuller, Buckminster, Jerome Agel, Quentin Fiore. I Seem To Be A Verb, Nova Iorque, Bantan, 1970
Le Grice, Malcolm, Abstract film and beyond, Cambridge: MIT Press, 1977
Harper, Laurel. Radical Graphics/graphic Radicals, New Jersey, Princeton Architectural Press, 1999
Helfand, Jessica. Six (+2) Essays On Design And New Media, Nova Iorque, William Drenttel, 1998
Heller, Steven, Anne Fink. Faces on the Edge: Type in the Digital Age, Nova Iorque, Van Nostrand Reinhold, 1997
Heller, Steven, Karen Pomeroy. Design Literacy : Understanding Graphic Design, Nova Iorque, Watson-Guptill, 1997
Heller, Steven, Marie Finamore. Design Culture : An Anthology Of Writing From The Aiga Journal Of Graphic Design, Nova Iorque, Watson-Guptill, 1997
Heller, Steven(Editor), Elinor Pettit. Design Dialogues, Nova Iorque, Allworth Press, 1998
Heller, Steven (Editor). The Education Of A Graphic Designer, Nova Iorque, Allworth Press, 1998
Higgins, Dick. "Intermedia", in Something Else Newsletter 1, No.1, Something Else Press, 1966 ("Intermedia", in "Synesthesia and Intersenses", Leonardo 34.1, 2001, http://muse.jhu.edu/demo/len/34.1higgins.html)
—————. Horizons, the Poetics and Theory of the Intermedia, Carbondale, Illinois: Southern Illinois University Press, 1984 (“Intermedia”, in “Synesthesia and Intersenses”, Leonardo 34.1, 2001,http://muse.jhu.edu/demo/len/34.1higgins.html), 1981
Hofstadter, Douglas R. Gödel, Escher, Bach: an Eternal Golden Braid, Londres, Penguin Books, 2000
Hyde, Karl, John Warwicker, Liz Farrelly. MMM… Skyscraper I Love You, Londres, Booth-Clibborn, 1995
Jørgensen, Jespert N. “Frequent Encounters”, in Frequenzen [Hz]/Frequencies [Hz] — Audiovisuelle Räume/Audio-visual Spaces, Catalogue of the exhibition @ Schirn Kunsthalle Frankfurt, Ostfildern-Ruit, Deutshland: Hatje Kantz, 2002
Kahn, Douglas. Noise, Water, Meat, A History of Sound in the Arts, Cambridge, MIT Press, 1999
—————. "Audio Art in the Deaf Century", sd, http://www.soundtoys.net/a/journal/texts/kahn.html
Kaplan, Nancy. Politexts, Hypertexts, and Other Cultural Formations in the Late Age of Print, Computer-Mediated Communication Magazine, http://www.ibiblio.org/cmc/mag/1995/mar/kaplan.html (1995)
Kinross, Robin. Modern Typography: An Essay In Critical History, São Francisco, Chronicle Books/Princeton Architectural Press, 1996
Kroker, Arthur. The Image Matrix: Analog is having a burial and digital is dancing on its grave, http://www.ctheory.net/text_file.asp?pick=331 (2002)
Lavagnino, John. Reading, Scholarship, and Hypertext Editions, TEXT: Transactions of the Society for Textual Scholarship, volume 8, in 1995, pages 109-124, http://www.stg.brown.edu/resources/stg/monographs/rshe.html (1995)
Lavin, Maud. Montage And Modern Life, Cambridge, MIT Press, 1992
Levin, Golan, Lia, Meta, Adrian Ward. Generative Design: Beyond Photoshop, Londres, Friends of Ed, 2001
Lunenfeld, Peter (editor). The Digital Dialetic, New Essays on New Media, Cambridge, Massachusetts: The MIT Press, 1999
Lupton, Ellen. Mixing Messages, New Jersey, Princeton Architectural Books, 1994
Lupton, Ellen, J. Abbott Miller. Design Writing Research: Writing on Graphic Design, Londres, Phaidon Press, 1999
Lupton, Ellen, J. Abbott Miller (Editors). The Abcs Of (Triangle Square Circle): The Bauhaus And Design Theory, New Jersey, Princeton Architectural Press, 2000.
Manovich, Lev. New Media from Borges to HTML, http://www.manovich.net/DOCS/manovich_new_media.doc (2002)
—————. Macromedia and Micro-media, http://www.manovich.net/docs/macro_micro.doc (2000)
—————. Avant-garde as Software, http://www.manovich.net/docs/avantgarde_as_software.doc (1999)
—————. Cinema by Numbers: ASCII Films by Vuk Cosic, http://www.manovich.net/docs/cinema_by_numbers.doc (1999)
—————. On Totalitarian Interactivity (notes from the enemy of the people), http://www.manovich.net/text/totalitarian.html (1996)
Margolin, Victor (Editor). Design Discourse : History, Theory, Criticism, Chicago, University of Chicago Press, 1989
—————. The Struggle For Utopia : Rodchenko, Lissitzky, Moholy-nagy : 1917-1946, Chicago, University of Chicago Press, 1997
Massin. Letter And Image, Nova Iorque, Van Nostrand Reinhold, 1970
McAlhone, Beryl, David Stuart. A Smile In The Mind, Londres, Phaidon Press, 1996
McCloud, Scott. Understanding Comics, Nova Iorque, Paradox Press, 1993
—————. Reinventing Comics, Nova Iorque, Paradox Press, 2000
McPhee, Scot. "Audio-Visual Poetics in Interactive Multimedia", 1996, http://www.zainea.com/poetics.htm
McGann, Jerome. The Rationale of HyperText, http://jefferson.village.virginia.edu/public/jjm2f/rationale.html (1995)
—————. Radiant Textuality, http://jefferson.village.virginia.edu/public/jjm2f/radiant.html (1996)
McLean, Ruari. The Thames and Hudson Manual of Typography. Londres, Thames and Hudson, 1988
McLean, Ruari, Elaine Lustig Cohen, Ellen Lupton. Jan Tschichold: A Life in Typography, New Jersey, Princeton Architectural Press, 1997.
McLuhan, Marshall, Quentin Fiore. The Medium Is The Massage, Nova Iorque, Bantan, 1967
—————. War And Peace In The Global Village, Nova Iorque, Bantan, 1967
McQuiston, Liz. Graphic Agitation: Social & Political Graphics Since The Sixties, Phaidon Press, 1995
Meggs, Philip B. Type And Image : The Language Of Graphic Design, John Wiley & Sons, 1992
—————. A History of Graphic Design, Nova Iorque, Van Nostrand Reinhold, 1992
Mijksenaar, Paul. Visual Function: An Introduction To Information Design, New Jersey, Princeton Architectural Press, 1997
Mitchell, W.J.T. Picture Theory: Essays On Verbal And Visual Representation, University of Chicago Press, 1994
Morkes, John, Jakob Nielsen. Concise, Scannable, and Objective: How to Write for the Web. http://www.useit.com/papers/webwriting/writing.html (1997)
Murch, Walter. "Stretching Sound to Help the Mind See", 2000, http://www.filmsound.org/murch/stretching.htm
—————. The Search for Order in Sound & Picture, Interview by Tom Kenny, http://www.filmsound.org/murch/waltermurch.htm
—————. "Dense Clarity - Clear Density", http://www.ps1.org/cut/volume/murch.html
Negroponte, Nicholas. Ser Digital, Lisboa, Caminho, 1996
Nelson, Ted. Ted Nelson’s Computer Paradigm, Expressed as One-Liners. http://www.sfc.keio.ac.jp/~ted/TN/WRITINGS/TCOMPARADIGM/tedCompOneLiners.html (1999).
—————. What’s On My Mind, A Talk At The First Wearable Computer Conference, http://www.sfc.keio.ac.jp/~ted/zigzag/xybrap.html (1998)
Neuenschwander, Brody. Letterwork: Creative Letterforms In Graphic Design, Londres, Phaidon Press, 1993
Norm. The Things, Zurique, Norm, 2002
Papanek, Victor. The Green Imperative: Natural Design For The Real World, Londres, Thames & Hudson, 1995
—————. Design For The Real World : Human Ecology And Social Change, Chicago, Academy Chicago Pub, 1999
Perkins, Sean. Experience: Challenging Visual Indifference Through New Sensory Experience, Londres, Booth-Clibborn, 1996
Poynor, Rick. Design without Boundaries, Londres, Booth-Clibborn, 1998
Pullman, Chris. "Some Things Change", The Education of a Graphic Designer, Heller, Steven [ed], New York: Allworth Press, 1998, http://www.aigany.org/ideas/features/pullman.html
Ribas, Luísa. Sobre o papel do Som no Audiovisual : Dissertação — Provas de Mestrado em Arte Multimédia, Porto, FBAUP, 2002
Rothschild, Deborah, Ellen Lupton, Darra Goldstein. Graphic Design In The Mechanical Age : Selections From The Merrill C. Berman Collection, New Haven, Yale Univ Pr, 1998
Rubin, Jerry, Quentin Fiore. Do It! Scenarios Of The Revolution, Simon and Schuster, 1970
Shumate, Michael. Hyperizons: Hypertext Fiction, http://www.duke.edu/~mshumate/hyperfic.html
Sider, Larry, Diane Freeman e Jarry Sider [editors]. Soundscape, The School of Sound Lectures 1998-2001, London: Wallflower Press, 2003
Spencer, Herbert. Pioneers Of Modern Typography, Cambridge, MIT Press, 1983
Spiekermann, Erik, E.M. Ginger. Stop Stealing Sheep & Find Out How Type Works, San Jose, Adobe Press/Hayden Books, 1993
Tschichold, Jan, Ruari McLean (Translator), Robin Kinross (Introduction) The New Typography: Handbook for Modern Designers. Berkeley, University of California Press, Reprint edition, 1998
Vanderlans, Rudy, Mary E. Gray, Zuzana Licko. Emigre : Graphic Design Into The Digital Realm, Nova Iorque, John Wiley & Sons, 1997
Walton, Roger (Editor). Typographics 1, Writers Digest Books, 1997
Weibel, Peter. 1984. "On the History and Aesthetics of the Digital Image", in Druckrey, Timothy e Ars Electronica [edit], Ars Electronica: Facing the Future, Cambridge, Massachusets e London, England: The MIT Press, 1999
Weingart, Wolfgang. My Way to Typography, Baden, Lars Müller, 2000
Wilhelmsson, Ulf. Film, Television and Computers; Sound and Images; New Techniques and New Narratives, Presented at the NorFa research seminar Sound and moving images 11-16 September 1997,
—————. "The Point of Being", 1999, http://www.jmg.gu.se/fsmk/papers/Wilhelmsson.htm
Youngblood, Gene. "Cinema and the Code", in Computer Art in Context, Leonardo Supplemental Issue, 1989
—————. "A Medium Matures: Video and the Cinematic Enterprise", in Druckrey, Timothy e Ars Electronica [edit], Ars Electronica: Facing the Future, Cambridge, Massachusets e London, England: The MIT Press, 1999
—————. Expanded cinema, New York: E.P.Dutton & Co., Inc., 1970, http://www.artscilab.org/expandedcinema.html
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